Archive for the ‘Theatre’ Category
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Theatre Seeing a Broadway show is a common tourist activity in New York. In the City, Broadway shows sell about a billion dollars worth of tickets each year, contributing to generate large amount of money in restaurant and hotel revenues. As of The Broadway League, in New York City Broadway shows sold approximately 937 million dollar worth of tickets in the 2007-08 season, making the region a popular block for entertainment. New York features an array of entertainment venues and Broadway Theaters to choose from. But, entertainment blocks like Broadway Theater are offering ample opportunities for its audience to get hooked to them.
Formerly Universal’s Colony Theatre, B.S. Moss’ Broadway Theatre, Early Carroll’s Broadway Theatre, and Cin Romais, the Broadway Theater New York is one of the largest legitimate houses in Manhattan, New York. The history of the Broadway Theater dates back to 1925, when it was built as a venue for vaudeville shows and motion pictures. At its opening, B.S Moss had no idea if its large capacity would ensure its durability through the years. But, by 1930, Moss converted his house to a legitimate theatre called the Broadway, realizing that the talkies were killing vaudeville. Till-date, an array of best and the brightest in world of entertainment have rocked the stage of the Theater. Read the rest of this entry »
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Theatre SURVEILLANCE AND STERILISATION OF OPERATIon THEATRES
In the Developing World
Dr.T.V.Rao MD – Dr.Chithra.VN MD
In spite of brief stay of patients in the operation theatre (in majority of circumstances), the environment of operation theatre plays a great role in the onset and spread of infection because of a multifactor causation of infection. It is usually necessary to study the epidemiology of infection as a multidisciplinary approach. In resource poor circumstances as in most developing countries, work in isolation and few facilities to make any epidemiological surveys Many believe that routine Microbiological monitoring is most essential but in reality it is not practicable. But every hospital should pay good attention in proper maintenance of air conditioning plants, ventilator systems, and to have greater control on mechanisms and personnel involved in disinfection and sterilization of materials used in the theatres in operative procedures. Read the rest of this entry »
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Theatre The Theatre Royal, Drury Lane, Catherine Street, WC2B 5JF, is an un-air conditioned theatre in Covent Garden, in Westminster, London’s, West End. The current theatre building is actually the most recent of four theatres that have been located in the same spot since 1663, and this makes the Theatre Royal the oldest theatre in London. The current building was listed Grade I in February 1958 by English Heritage. The first incarnation of the theatre came to light after the Puritan Interregnum, which was an 11-year ban on “frivolous” pastimes, including theatre.
It opened May 7, 1663, and was known as the “King’s Playhouse” by many. The original building was a wooden structure made of three tiers, 112 feet long and 59 feet wide. At maximum capacity, it could hold 700 patrons. The performances during this time typically took place around 3 p.m. in order to make use of the daylight. There was no roof over the audience pit, which oftentimes left those attending plays at the mercy of the elements. When the first theatre was destroyed by fire in 1672, the second theatre, named the “Theatre Royale in Drury Lane,” opened in 1794. This theatre lasted almost 120 years but was demolished in 1791 to make room for a bigger theatre, which opened in 1794. This theatre only lasted 15 years, as it also burned down in 1809. Read the rest of this entry »
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Theatre I’d like to begin by differentiating postmodern theatre from its preceding periodizing categorization, the ‘classical’ and the ‘modern’ drama. Classical drama is characterized by the value placed in the plot and its adherence to Aristotle’s laws of dramatic unities. In the nineteenth century we also observed how Hegelian philosophy filtered into modern drama with the movement of ‘man’/character at the forefront of dramaturgy in the character dramas of Ibsen, Strindberg and Chekov. We also see how Aristotle’s mimesis is taken to the heights in the period of naturalism as influenced by the Darwinian science in the stagings of modern theatre. Raymond Williams observes the perfection of tragedy in modern drama where the alienated predicament of the human being in a highly industrialized world is highlighted. He sees Beckett’s tragicomedies representing the reduction and degradation of the human beings in a new absurdist dramatic structure.
To Elinor Fuchs, it is in the postmodern theatre that we witness the “death of the character” and the eradication of the plot. In this statement we are reminded of Barthes’ announcement of the “death of the author”, Foucault stating the “death of man” and Lyotard hailing the dissolution of metanarratives. As rigid categorization and structures of modernism collapse, eclecticism now characterizes postmodernism. But unlike Jameson’s notion of pastiche and extreme consumerism of multi-national capitalism, critical postmodern theatre derives its theory from the post-structuralists’ insight on semiotics. Read the rest of this entry »
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Theatre In Britain, the repertory movement was a theatrical movement that originated in the early years of the twentieth century, was continued and developed between the two world wars, and became, after 1950, the prevailing form of theatrical organisation outside London. The earliest repertory companies were created and introduced as a protest against London’s domination of the theatres in the regions, along with a desire to counter-balance the commercial successes of the ‘West End’. My argument in this essay is that the time has come for a renewal of that protest in the face of a modern domination of British theatre by ‘The West End’.
By the second half of Queen Victoria’s reign, most people earned more money and worked shorter hours than ever before. This meant that for the first time, ordinary workers had enough leisure time to enjoy pastimes. By the mid-1800s, most of the large towns had several theatres, providing a range of ‘song-and-dance’ shows that entertained the whole family. By the 1860s, theatre became so successful that not only were they decorated to make them more comfortable with proper cushioned seats and carpet, but also matinées were introduced and the representational style of theatre was replaced with a new realism, pioneered on the continent by writers such as Ibsen. Read the rest of this entry »